Versace space interior - no lighting

The plan is to fill each 'platform' of Versace's space with different extroverted colours made famous by the Versace label. Colours like hot pink and purple will literally convey the 'glamour' style favoured by Versace.

Floating bridge with texture applied

The floating metaphorical bridge.

The bridge is also the meeting space where the dining table is located.
Power, as was explored in the Mash Up, not only involves control, but very little limits. The dining table is therefore a direct interpretation of this idea: why not build a table as if it were paper?

Naked interiors - no lighting added

Jobs' upper floor interior
Jobs' upper floor interior, the 'line' between inside and out.

the floating bridge

Power isnt something that has to be physical, it doesnt have to be seen, but it can be felt. The 'bridge' between Jobs and Versace's space does not physically bring the two spaces together, but by being between the two spaces it implies a connection.

What will bring these two clients together are elevators that float between the three spaces, alluding to the idea that power is about ultimate control and order. Versace and Jobs may deal with two different aspects of business - one is associated with fashion while the other to electronic innovation - but the control each have over what they do is the same; they are both the driving forces to the success of their businesses.

jobs and versace's space with no bridge

skinless versace space WITH stairs

so far part three: versace

skinless space

so far part two: jobs

so far

New idea involving falling paper as inspiration for both Jobs and Versace's space, the angles and sleekness both linking to aesthetics associated with clients' businesses
New plan for Jobs' interior.
- angular and built around a pathway that expresses Jobs' career

Jobs' unfinished space

Draft UT - no textures

SketchUp table part 2

SketchUp table

36 custom textures

Top six: Scalar. Bottom two: linear

Top four:linear. Bottom four: rotational

Top two: rotational. Bottom six [left to right]: flow, ripple, blur, ripple, flow, ripple


flow, blur, ripple, flow, flow, ripple, flow, ripple, blur, ripple, ripple, flow

Sketches and ideas (pencil, ink and ink wash) - Jobs

Client One: Steve Jobs

Something crisp and simple.  

- I tried to explore the form of the building with some ink [refer to boxy shapes] attempting

to convey a space that is simple but different.  The 'power' behind Jobs isnt his money,

but his ideas, so I thought an office that expressed simplicity rather than extravagance was

far more relevant for Jobs.